I was in the unfortunate position of having had to spend some time in the Minor Injuries Unit of our local hospital over the weekend. It turned out that it was long enough for me to be able to read the whole of Susan Hill’s short ghost tale ‘Dolly‘. (Actually, I was sitting there long enough to have read ‘War and Peace’, but that is a different story!)
The narrator is Edward, who recounts time spent at Iyot House, the home of his great-aunt, Aunt Kestrel (fabulous name!), and her dour maid, Mrs Mullen. The trio are joined by Edward’s cousin, Leonora, a flame-haired, unfathomable young girl with a foul temper. She both bewitches and confuses the young Edward, although Aunt Kestrel is more kindly and pragmatic in her approach to her great-niece, believing her to be over-indulged and spoiled. From the numerous gifts sent to Leonora by her mother, it certainly seems as if the youngster is used to getting her own way. But her heart’s desire is a doll, and although she knows exactly what she wants, her mother never sends the Indian Princess dolly. When Edward takes it upon himself to make sure that Leonora receives the gift of her dreams, his decision has frightening lifelong repercussions for everyone.
As I turned the last page of this book, the over-riding question in my mind was ‘why’? The plot just didn’t seem to conclude satisfactorily, as I was left wondering. In any novel, there is often ambiguity, leaving the reader to consider several options as to what might have happened, and this can be interesting and fun. But the ending of ‘Dolly‘ felt unfinished, as if Hill ran out of ideas before she had to meet her agent’s deadline. I was disappointed with ‘The Small Hand‘ last year and feel that maybe ‘The Woman in Black‘, which I found genuinely unsettling, remains unsurpassed.