Book No 9 (2018) : Manderley Forever

manderleyI bought my copy of ‘Manderley Forever’ when I went to the Fowey Festival of Arts & Literature in 2017. In conversation with Dr Laura Varnham, Tatiana de Rosnay revealed her lifelong fascination with Daphne du Maurier, and her desire to explore the French influences in the author’s life. Laura is a renowned du Maurier expert who drew out the best of Tatiana’s meticulous research and insights for the benefit of the Festival audience. I had my book signed by its author and came away happy. Since then, it has been up on my special Daphne shelf, waiting for March 2018. Because that is when I went to Manderley.

Menabilly in Cornwall, together with Milton House near Cambridge, was the inspiration for Manderley, the house in what is probably du Maurier’s most famous work, ‘Rebecca’. Menabilly is the seat of the Rashleigh family but Daphne rented it from them for 26 years, using her own money to restore and modernise the neglected mansion. She never owned the house. We rented Keeper’s Cottage on the Menabilly estate and I read ‘Manderley Forever’ while I was there.

There is already a great deal of published work about Daphne du Maurier, as well as her own novels, short stories, letters and memoirs. So is there room for another biography? Yes. Absolutely.

Tatiana de Rosnay uses a strong sense of place to examine Daphne’s life from a different angle, visiting the places which influenced du Maurier so profoundly. Not only Menabilly and Cornwall, but also London and France. She highlights Daphne’s fascination with her own French heritage and family history. It seems to me that when Daphne was grounded in a place, her imagination was free to soar – the staging of childhood plays in Cumberland Terrace and Cannon Hall, the blissful solitude of Ferryside in the early days of her writing career, her deep connection to Menabilly.

I could go on, and on! The nature of this blog is to provide short, useful reviews but I can’t resist the temptation to share the fact that Keepers Cottage features in ‘Don’t Look Now’, that Justine Picardie stayed there with her son while she was researching for her own novel, that Rebecca’s beach house on Polridmouth beach is real, or that I actually rang the doorbell of “Mena”. Such simple pleasures for a Du Maurier groupie but oh, such fun.

‘Manderley Forever’ is wonderful; an accessible and comprehensive account of Daphne du Maurier’s life by a skilled and intuitive biographer. I sank into it and didn’t surface for two days.


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